The University of Leicester invited artists to take part in its British Science Week through the Brief Encounters initiative, hosting 8 Mini Science/Art Residencies, led by Professor Turi King at the University of Leicester and hosted during British Science Week 2018. I collaborated with Dr Kim Page whose research looks at recording observations of incredible explosions (gamma ray bursts) and their afterglow. It is these explosions that left a trace deposit of gold through meteorites that collided with earth when it was forming.
I used the solar plate printmaking method that uses UV radiation to capture images, as essentially this is the same principal the detectors use to record data. The satellite (Swift) is able to respond to GRB events by positioning itself to point at the source, it does this several times for the afterglow duration. I also used an instrumentation plate made for Swift and have used it to create an emboss to mimic the satellite shifts. Taking the data collected over the afterglow period (around 7 days) from the event, solar plate prints have been used to express this data. The X-ray data print is a very dense image with even the faintest afterglow being registered. The UV data print uses the ‘white’ band of UV/Optical wavelengths recorded – closest to what the naked eye would see through a telescope if it were pointed at the event. Gold pigment has been used in the embossing to reflect the element on earth that is a tangible connection between human civilisations and these spectacular events of the early cosmos.
I used the solar plate printmaking method that uses UV radiation to capture images, as essentially this is the same principal the detectors use to record data. The satellite (Swift) is able to respond to GRB events by positioning itself to point at the source, it does this several times for the afterglow duration. I also used an instrumentation plate made for Swift and have used it to create an emboss to mimic the satellite shifts. Taking the data collected over the afterglow period (around 7 days) from the event, solar plate prints have been used to express this data. The X-ray data print is a very dense image with even the faintest afterglow being registered. The UV data print uses the ‘white’ band of UV/Optical wavelengths recorded – closest to what the naked eye would see through a telescope if it were pointed at the event. Gold pigment has been used in the embossing to reflect the element on earth that is a tangible connection between human civilisations and these spectacular events of the early cosmos.
Ultraviolet Afterglow and X-ray afterglow and Violet Afterglow are all a limited variable edition (V.E.) of 10 prints. 1/10 and 2/10 of the Ultraviolet Afterglow and 1/10 of X-ray Afterglow are held in private collections.
Violet Afterglow (framed print) selected for Flourish Award for excellence in printmaking 2022
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Ultraviolet Afterglow (V.E. 2/10 )exhibited at the South Hill Park Mirror Gallery, as part of the 'To the Moon and back' exhibition May 2019. (now in private collection)
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